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Elon Ganor, Group exhbition, Isreal museum Jerusalem
Windows,
Group exhibition, Isreal museum Jerusalem
opening may 7
Dana Levy - Makom me shelano
The Inbal dance and theater center in Neve Tsdek is screening videos of israeli artists
Thursday 15.7.10 from 20:00-23:00 and Thursday 22.7.10 from 20:00-23:00
the screening will take place in the be'ar yard next to the Susan Dalal center
yehiali 6, Neve Tsdek
free admission
for more information call 03-5173711
Ran Slavin at The artists' residence in Herzliya
Ran Slavin Tender Prey / Organic Urbanic, 2008 video
Opening: Thursday 15.7.10 at 20:00
Gallery talk will take place on Thursday 22.7.10 at 20:00
The artists' residence in Herzliya,
Yodfat 7
Herzliya
Angelika Sher, Twilight Sleep until July 30
Due to the huge interest in Angelika Sher's exhibition, Twilight Sleep
we decided to extend the exhibtion untill July 30
Angelika Sher, Moments of home
Angelika Sher with the children of Beit Issie Shapiro
a photography exhibition in Tel Aviv Port , Moments of home
7.7.10 - 5.8.10
Dana Levy - Silent Among Us
Dana Levy, Silent Among Us, is now showing at the New York show Lush Life.
Her work was mentioned in the Wall Street Journal and New York Times
Wall Street Journal:
Lush Life, inspired by the 2008 Richard Price novel of that name, is free association a meditation on a theme. Mr. Price's book is a multicharacter and dialogue-driven murder story, a police procedural exploring issues of race, class, crime and gentrification on Manhattan's Lower East Side.
The show has several bright moments, including videos by Tommy Hartung, Carol Irving, Ezra Johnson and Dana Levy; drawings by Nina Lola Bachhuber; sculpture by Chakaia Booker; and photographs by Christoph Draeger, LaToya Ruby Frazier and Alice O'Malley.
New York Times:
Dana Levys ghostly video of live doves flocking and fluttering in a museum gallery filled with stuffed bird specimens.
Its easy to read in Ms. Levys video a visual metaphor of physical death and the migration of souls, which together form a theme of the books fourth chapter and of the exhibition
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